Riddick Movie Star Cast: Vin Diesel, Karl Urban, Jordi Molla, Matt Nable, Katee Sackhoff, Bokeem Woodbine, Dave Bautista, Raoul Trujillo, Nolan Gerard Frighten and Conrad Pla
Director: David Twohy
Complete with spacecrafts, animals and air-bikes in an arid alien planet, ‘Riddick’ is Vin Diesel’s assailable and vain attempt to promote himself as a sci-fic action hero.
It’s the story of the anti-hero, a renowned murderer and galactic evanescent Richard Riddick (Vin Diesel).
The celluloid takes astray among a vulturous like creature circling the sky looking for its prey. And when bird swoops to get its booty, all of a sudden circumstantially, the predator becomes the prey. This introductory shot reveals the survival of the fittest.
From thence, the next thirty minutes drag to expose Richard Riddick’s endurance to survive in this barren wasteland, where he lands up after being deceived by Vaako (Karl Urban). He fends off attacks by unclad wild canines that resemble hyenas and fights predatory amphibians reminiscent of giant scorpions.
‘Riddick’ makes it revealed of the barren desert-like painting after taming the aboriginal canine.
He eventually lands jump and seeks refuge in an abandoned outpost. With no other freeway to escape the impolite planet, Riddick activates the beacon device, which alerts two groups of mercenaries.
First to reach is Santana (Jordi Molla) and his bully cronies, who jointly possess more muscle than grey cells. Audience them is Johns (Matt Nable) with his crew that includes Dahl (Katee Sackhoff), the except woman among the testosterone-fueled hunters.
Each group has their own plans for Riddick, yet with time cursive out, the stakes are high. Fortunately, Riddick is as unconquerable and unrelenting as ever.
Director Twohy maintains a skillful command of the franchise’s narrative template throughout, but misses the opportunity to effectively shade the characters’ distinctive dimensionality.
There is abundant action and gore along with a bathing scene to entice the audience, but the narration drags. The pace of the film crawls. The mood and tone darkens as the film progresses. The dialogues that are far between, are sharp and yet redundant.
With great production design and background score, the film lacks visual appeal. The CGI effects are unremarkable and the landscape over a termination of time along with the two breeds of animals that dominate the screen time, becomes an eyesore.
Of completeness the characters, Molla’s ceremony as Santana stands out. Often cartoonish and even comical at times, he breathes the character. Nable as Johns is nothing extraordinary. Sackhoff as the lone woman attracts attention during the minority scenes she is visible.
With Riddick as a lone avenging hero, Diesel seems determined including even desperate to convince audiences that he can deliver. But unfortunately, he could not do sufficient to elevate the film. With his slow, muscle-flexing grumpy self and a dragging narration, the film slumps.
Buzz Rating: 1.5/5