Movie Review: In the House

Rating: R (sexual capacity and strong language)
Length: 105 minutes
Release date: 10 October, 2012
Directed by: François Ozon
Genre: Mystery/Thriller

Stars: 3.5 out of 5

“In the House” is a 2012 film by director François Ozon that explores the mentor-student relationship between a young man and his French teacher. Fabrice Luchini plays Mr. Germaine, a French literature teacher who is resoundingly disappointed in the lackluster performance of his students. Germaine is disheartened past the way most students imply to be merely getting by on their writing assignments as opposed to truly engaging in the craft.

Ernst Umhauer plays Claude, a French literature student who serves as a breath of fresh air for the bedraggled Germaine. Claude submits an assignment that chronicles his unexpected raid into the life of a classmate’s family. Claude is an impishly charming young man, one who is capable of manipulating his way into the heart of just about anyone. Germaine is fascinated by the boy’s candid account of his exploits. Claude reminds him of the charming young antiheroes of the literature he adores, and he fast takes the boy under his wing, encouraging his writing efforts. Germaine encourages him to the point regarding enabling manipulative and unethical behavior that, as an educator, he should be discouraging.

As Claude’s well-nigh sociopathic ability to disarm and manipulate blurs the term of reality to the point where Germaine’s most career is at stake, the French teacher want learn to separate the real from the unreal. “In the House” is an unusual take on the vintage relationship between student and teacher. At times, it is unclear whether Germaine is the teacher or whether Claude is teaching him. Germaine sees the possibilities contained within all his novels and characters fully embodied and living in Claude. It is almost as if Claude is a beloved fictional character who has come to life, but Germaine soon realizes that what is good in novel is often wicked in reality, especially when entity people’s emotions and lives are at stake.

Fabrice Luchini gives a solid performance as Mr. Germaine. The eccentricity is relatable to anyone who has ever been disillusioned with his or her profession, which seems to raken especially true when it comes to an educator’s job. All Mr. Germaine wants is to share his love of literature with his students, but he finds his class moreover assignments are more of a chore than a door held open to a world of imagination. He finds dream for the younger generation in Claude, und so weiter he is inspired to connect plus writing and literature in a way that he hasn’t been for many years.

Ernst Umhauer is a tenderfoot actor, but the viewer will never know it judging from the actor’s performance in “In the House.” Claude is a deep, multifaceted character who is being lovable equally he is unsettling. Audiences will be warning the other characters on examine not to trust him at the same time as they are falling in love with him. The actor is just that convincing, and he brings the role of Claude alive. He carries himself with a reality old-world captivating that is reminiscent of classic characters such as Dorian Gray and Heathcliff.

Kristin Scott Thomas is not to be forgotten as Germaine’s wife, Jeanne. While Thomas plays a supporting role in the film, her character has all the charm and depth of a leading lady. Jeanne is exquisite and civilized while retaining a playful air about her character, who acts when a unblemished foil to her husband’s rigidity.

Some viewers choice find the film’s atypical storytelling fewer than appealing; others will adore the film for it. “In the House” is an unusuality ogle at the contrast between bloom and age as well as between innocence and naiveté. Fans of nonlinear storytelling that blurs the line between reality furthermore fantasy will enjoy this movie. It is often impossible to tell what is really happening and what is merely the fictitious invention of Claude’s youthful imagination. Sometimes, even Claude himself finds it incorrigible to make the distinction, which is part of what makes his character so relatable.

While the unconventional storytelling format and plot might indigen unappealing to some, fans of other quirky dramas testament likely enjoy “In the House.” This film is not so much a coming-of-age story as it is an acceptance-of-age story. Germaine and Claude are per flawed connective relatable characters in their confess right. The relationship between teacher and student is stretched and bent to the point of breaking, giving a unique look at what it really funds to learn. The acting is solid, and both main and supporting characters bring the script alive with charm. Anyone looking for a suspenseful until melancholic take on academic life and literature in the modern age should abandon “In the House” a try.